Velvet Ensemble Theatre Company Interview

Theatre Company Velvet Ensemble is back in the studio with the production Unprotected, having  returned to the Wales Millennium Centre as 2009 ‘graduates’ of its Incubator Project: we grabbed the chance to talk to its producer Victoria John and the writer Bethan Marlow during rehearsals in Cardiff. We joined them in an unexpected rehearsal space; rather than in a Wales Millennium Centre studio Victoria walked us to an office building around the corner where we settled into sofas out of the cold.

The Incubator Project, Victoria?

Victoria explained that it is a WMC initiative set up to nurture new talent, starting with Inc’Ling: where any type of artist, from actor to lighting designer can try out any new idea they have before it progresses onto the Incubator project which requires a larger, more solid brief/work in progress: giving them rehearsal space and a small bursary to then present a work in progress where the audience can provide feedback over a one night performance billed with the other ‘Incubator’ companies/ artists for that year. For her the support provided then is incredibly important and without it they may not be where they are now and is likely to be just as important now as they are in co-production with the WMC as part of an ‘Incubator 2’ almost, to develop Unprotected into a full production.

Bethan on Unprotected

It isn’t just the name of the show, unprotected defines the process of evolution that play’s can go through – nothing is safe and with the dates for the show around the corner we asked just how much of the original project and brief had survived and what had grown from it. Out of the original four, only main character has survived so we only see her part of the story:  the best way to concentrate on the central idea. It still carries the same themes: questioning the word “normal” and playing with the word love and peoples fears; our relationship with love, what it is, what it makes you do and how scared we are of it and scared what it can make you do.  

Why should anyone go see Unprotected?

“The people that are involved are phenomenally gifted, are rising stars in Welsh theatre. We are expressing something new and Welsh talent should be supported in Wales”

Cardiff, and being in Wales. 

V currently lives in London but works between there and Cardiff, the two cities are vastly different, not just in size but in outlook and personality so we asked just what Cardiff’s allure was – away from the bright lights of London’s theatre. London is brilliant but vastly over populated: the spectrum of spectacular theatre to the downright dire is far greater: one is able to go out any night of the week to an array of locations and find a production, whereas in Cardiff’s smaller circle the spectrum is not so wide. Both are hugely passionate about Cardiff and Wales; its theatre scene is burgeoning, the support is far greater and the buzz of a fringe theatre scene has only now begun to stamp its mark outside of the conventional theatre space. They candidly admit it that the environment here is such that if the production was not done here, would not have been done at all.

It’s not a secret

“Theatre is just a job like anything else” and Bethan would be right, people see theatre as an unattainable luxury that only the gifted and privileged have access to but the case is most of us want to share what we learn – Bethan for instance does workshops in the prisons with Academi. Education is important to the VE team to – they work with Channel 4’s ‘4 talent’ and work within  schools, not  just to develop theatre skills but to also give people confidence, build self esteem and to just show that there isn’t a massive gap between the theatre and an audience.

Velvet Ensemble

Living in a world dominated by male writers and uninteresting female parts Victoria was encouraged by positive, proud, can do women in American theatre: women who freely admit to being feminists. So V brought Velvet Ensemble to life as a theatre company creating productions for and about women, by women. Although they both stress that the male voice is still important, it is just an attempt to address the gender imbalance and to quote V they are not “angry, man hating, bra burning lesbians” but are certainly not afraid of that label, her attitude is that people should come see the plays and let them speak for themselves before she has to defend anything. 

                We asked V to define Velvet Ensemble, was it aiming to be mainstream? Edgy? To her those words mean little: she doesn’t know the ultimate goal for the company, only that there is no ‘house style’ and she would like to produce a different work every time and that is the main reason for the absence of an Artistic Director.

So what is next?  We didn’t get much out of V on this one, “the future is bright and varied” she said cryptically at the end. Although she is very excited about the next piece which will hopefully be a children’s show and she is looking at a stack of plays at the moment, all that is needed is the time and space to develop idea’s and then the money to do it.